精品推荐：探寻名人字画与和田玉玉蝉的魅力

和田玉，“中国四大名玉”之一（其三为陕西蓝田玉、辽宁岫玉和河南独山玉）。传统狭义范畴特指新疆和田地区出产的玉石，以和田“子料”为代表闻名于世；广义的和田玉指软玉（真玉）。和田玉虽然因新疆和田而命名，但其本身不是地域概念，并非特指新疆和田地区出产的玉，而是一类产品的名称。中国把透闪石成份占98%以上的石头都命名为和田玉，都在国标范围内。

秦始皇统一中国的时候，和田玉因产于昆仑山被称为“昆山之玉”，以后又因位于“于阗国”境内而被称为“于阗玉”。直到清光绪九年（1883年）设立和田直隶州时，才被正式命名为“和田玉”。

和田玉属镁质大理岩与中酸性岩浆岩接触交代而形成的变质岩，内含透闪石、角闪石、阳起石等多矿物集合体，化学成分是含水的钙镁硅酸盐，化学式为Ca2(Mg,Fe2+)5[Si8O22](OH)2，密度为2.95—3.17，摩氏硬度在6.0—6.5之间。

藏品介绍

中文名称：和田玉老玉蝉

英文名称：Hetian jade old jade cicada

类别：玉器

规格：一件

品相：美品

玉蝉寓意

1.蝉自古就是高洁、顽强的象征。 在黑暗潮湿的环境下成长,并没有被打败,反而茁壮成长,长出...

2.一鸣惊人,一飞冲天。 我们都知道蝉的生长是历经多次蜕变的,经过4至5年的孕育时间破土而出...

3.厚积薄发,事业进步。 玉蝉的头部很大,代表头脑灵活,有着过人才能,而且蝉的腿是十分有利的...

4.蝉是周而复始,延绵不断的生物,寓意子孙万代、生生不息。

5.蝉谐音于"缠",在腰间佩戴翡翠蝉寓意腰缠万贯。

这件和田可以看到这件和田玉摆件以润为主，整体圆润，手感极佳，玉质白中带着微微的黄，是和田玉的典型特征，外表呈蜡状光泽，油性十足，无任何裂绺，石纹，杂质等情况，为和田玉之上品，具有极高的收藏价值。

文化

文化：油润细腻的质地，“色如截脂”的净白，“常如肥物所染”的光泽，符合中国传统文化含蓄的审美观念，不张扬，不艳丽，不耀眼，用一种“精光内蕴”的美，吸引了中国人几千年。和田玉的美丽之中有一种神秘的魅力，多少人为之痴狂陶醉，千金散尽亦不悔。

古人关于玉有“五德”、“九德”、“十一德”的种种论述，更将玉石的人文内涵提高到了一种神圣的地步。

收藏价值：自古道，“黄金有价玉无价”。这件和田玉玉蝉，颜色是带有油脂光泽的白，在白色中有的可透出微微的黄色，整体油感足，入手温润，久握存温，且温度流失缓慢，雕工精美，和田玉投资一直都被关注，一篇‘疯狂的石头’报道了和田玉十年涨幅千倍，令人咋舌，如今新疆本地也找不出好的和田玉了，再加上政府禁止开采，形成了十玉九藏的局面，使得和田玉价格水涨船高。

齐白石（1864年1月1日—1957年9月16日），原名纯芝，字渭青，号兰亭，后改名璜，字濒生，号白石、白石山翁、老萍、饿叟、借山吟馆主者、寄萍堂上老人、三百石印富翁，祖籍安徽宿州砀山，生于湖南长沙府湘潭（今湖南湘潭），近现代中国绘画大师，世界文化名人。

早年曾为木工，后以卖画为生，五十七岁后定居北京。擅画花鸟、虫鱼、山水、人物，笔墨雄浑滋润，色彩浓艳明快，造型简练生动，意境淳厚朴实。所作鱼虾虫蟹，天趣横生。1957年9月16日，齐白石在北京医院逝世。

齐白石书工篆隶，取法于秦汉碑版，行书饶古拙之趣，篆刻自成一家，善写诗文。曾任中央美术学院名誉教授、中国美术家协会主席等职。代表作有《蛙声十里出山泉》《墨虾》等。著有《白石诗草》《白石老人自述》等。

藏品介绍

中文名称：齐白石老鼠偷油立轴

英文名称：Qi Baishi rat stole oil shaft

规格：一幅

类别：字画

品相：美品

相传在灵山老鼠偷食了如来的香花宝烛，“宝”字说明这蜡烛绝非寻常，乃是宝物；“香花”应该是指明其特性，古代蜡烛是以动物脂油所制，故此能吸引老鼠之流窃食，不过佛门慈悲，不沾杀孽，清净自持，自然不会与尘世一般以动物油脂制烛，再联想"香花"二字,那想必是从万千仙花灵蕊中提取脂类精华，做成此烛。这烛中有万千仙花之灵气，才可使金鼻白毛老鼠这个仅修炼三百年的畜类法力大涨，狂妄的自号”半截观音“的神话故事。

更有童谣说的好：“小老鼠，上灯台，偷油吃，下不来。

可以看到齐白石的石字呈现一个不规则的圆，并非端正的口字，这是齐白石晚期的落款，也是巅峰时期之作，老鼠偷油为百姓家喻户晓的民间故事，趣味十足，而且红蜡烛自古以来代表着喜庆，从老鼠的角度来看又有鸿运当头的吉祥寓意。

落款对比齐白石章谱极其符合，字迹书写痕迹明显，笔锋苍劲有力，正所谓，气关笔力，墨关韵彩，气之所至，力乃至焉，一代书画大师的作品真是由于功力雄厚，很难被其模仿，像这个齐白石的石字也并非是椭圆，经过研究是一个不规则的五边形，每个角度转折十分的精妙，很难被模仿，是齐白石的艺术符号，而且齐白石作为中国画五绝之一，又是第一任美术协会主席，其作品拍卖价值即将突破十亿大关，1925年的山水十二条屏就以九点三亿的价格成交，创下了国画交易的新高，其作品为字画收藏的巅峰，此画具有极高的收藏价值。

黄胄（1925.3—1997.4.23）中国画艺术大师，社会活动家，收藏家。

中国第一座大型民办艺术馆——炎黄艺术馆缔造者；中国画研究院、中国工艺美术馆筹建者；黄胄美术基金会设立者。带头捐赠自己书画作品与古代文物、书画收藏。主持具有深远影响的“93科学与艺术研讨会”“95经济与文化研讨会”等若干重要展览及学术活动。黄胄独创性地将速写融入中国画，开启了全新的人物画笔墨范式，拓展了中国画艺术语言。黄胄的社会活动与艺术实践，对中国文化艺术事业做出了杰出贡献。有大量艺术作品及《黄胄作品集》《黄胄谈艺术》等三十余部著作传世。

藏品介绍

中文名称：国画五绝之黄胄的驴

英文名称：Traditional Chinese painting five unique huang-zhou donkey

规格：一幅

类别：字画

品相：美品

黄胄80年前的作品主要使用研磨作画，其特点：笔走龙蛇 简练传神 。如双驴图，用笔如神，寥寥几笔，形神尽显。其中最出名的就是驴，黄胄画驴，乃为圈里圈外人所共知

黄胄一生画驴无数。为此，被誉为世界闻名的“画驴大师”。看着他一幅幅作品如“少女赶驴图”、“老汉牧驴图”、“双驴图”、“三驴图”、“四驴图”、“五驴图”、“六驴图”、“七驴图”、“八驴图”、“九驴图”、“群驴图”……为之赞叹，叫绝叫好。您瞧，这驴：欢腾疾矢者，有之；面面相觎者，有之；雀跃嘻戏者，有之；安安稳稳驮物赶路者，也有之；黄胄笔下的驴，可谓，千姿百态、惟妙惟肖、炉火纯青、出神入化。

人们常说生活是艺术创作的源泉。黄胄先生则更彻底，他认为，“生活是艺术创作的唯一源泉”——这种艺术观可不可以说是真正形成于黄泛区的写生期间？黄胄的黄泛区写生可以说是他的艺术道路的重要转折点。他自己也曾说过，两次黄泛区写生对于自己非常重要。当时也不知道为什么主义奋斗，但对现实生活中的到处是贪官污吏深恶痛绝，作为画家必须反映老百姓的苦难生活。1949年参军后，黄胄来到了新疆，从此一生与新疆结缘，创作了大批反映祖国大西北的作品。新疆人民也把黄胄看作了自己的画家。后来，由于国家需要及幸遇徐悲鸿、丁井文、罗工柳、陈忻、黄镇等人，使他有机会来到了北京。后随师赵望云赴八百里秦川、广袤浩瀚的新疆写生，所见最多的动物就是毛驴，故对毛驴印象最深。参军后，部队驻地老百姓家家户户养毛驴，黄胄助民劳动学会了饲养毛驴。文革期间，黄胄被关进“牛棚”，放了三年的驴。长时间观驴、放驴、与驴接触、与驴为伍、以驴为友、和驴对话，这或许就是他艺术创作的生活源泉吧。黄胄先生认为，驴是人类忠实的朋友，他的名言：“驴比人好。”

落款十分经典，对应章谱为晚期落款，是黄胄的巅峰时期落款，我们形象的称为一串葡萄落款，这个落款是很难仿制的，可以看到落款书写十分流畅，行云流水，笔锋明显，在看印章颜色十分鲜艳，为朱砂矿物颜料所印，盖的也是十分规整，为黄胄的经典之作。

黄胄先生画驴出名后，“驴价”接连暴涨，其实黄胄画人物和其它题材功力都极深，而朋友多点名要驴，黄胄则一一应之。后来，要一头驴不行，一定两头以上，黄胄依然以一笑应之。但是，索画者越来越多，黄胄应酬不了，累病了，自称欠了朋友不少“驴债”。其一是黄宗江。五十年代，黄胄刚应徐悲鸿之邀，自西安来京，宗江便大赏他的毛驴画得好，希望得到一幅，黄胄欣然允诺，不料一拖三十年。其后宗江屡向黄索画，黄胄或因忙或致病，未能完成前诺。一日，黄胄偶遇宗江于黄山，宗江旧事重提，事情已隔三十年，黄胄觉得十分抱歉，宗江说：你不马上画，立个欠单也可以。黄胃便用毛笔写道：“二十年前欠宗兄公驴母驴各一头，母生母，子生子，难以计数，无力偿还，立此存照。黄胄于黄山一九八年七月十日”此事传为艺术界佳话。

黄胄的驴与齐白石的虾，徐悲鸿的马齐名，可见其价值之高，而黄胄画的日夜思念毛主席等价格过亿的作品非常多，被称为艺术界最抗跌的作家，自此黄胄的作品一组被市场高度关注，由于黄胄作品少有流出，造成了有价无市的局面，有钱也买不到，想收藏只能靠缘分了。

人物画：绘画的一种。以人物形象为主体的绘画之通称。中国的人物画，简称“人物”，是中国画中的一大画科，出现较山水画、花鸟画等为早；大体分为道释画、仕女画、肖像画、风俗画、历史故事画等。人物画力求人物个性刻画得逼真传神，气韵生动、形神兼备。其传神之法，常把对人物性格的表现，寓于环境、气氛、身段和动态的渲染之中。故中国画论上又称人物画为“传神”。历代著名人物画有东晋顾恺之的《洛神赋图》卷，五代南唐顾闳中的《韩熙载夜宴图》，北宋李公麟的《维摩诘像》，南宋李唐的《采薇图》等。

藏品介绍

中文名称：人物画

英文名称：Figure painting

规格：一幅

类别：字画

品相：美品

人物画最讲究自然，表情自然，眼神自然，包括衣服也是自然下垂，该贴身的贴身，该飘逸的飘逸，俗话说画人物画能画出曹衣出水的效果境界就非常高了，可以看到此人物画，用黑线条勾勒出轮廓，加以擦皴，使其看起来有一定的立体感，目光没有目标物，仿佛陷入了沉思。

中国人物画家主张：以形写神、形神兼备。紧紧抓住有利于传神的眼神、手势、身姿与重要细节，强调分别主次，有详有略，详于传情的面部手势而略于衣冠，详于人物活动及其顾盼呼应而略于环境描写。在人物活动与环境景物的关系上，抒情性的作品往往借创造意境氛围烘托人物情态，叙事性的作品在采取横幅或长卷构图中，尤善于以环境景物或室内陈设划分空间，采用主体人物重复出现的方法，把发生在时间过程中的事件一一铺叙，突破了统一时空的局限。人物画中使用的笔墨技巧与技法，在工笔设色、白描和小写意作品中，更重视笔法的基干作用，为此创造了十八描。笔法或描法一方面服从于形象的结构质感、量感与神情，另方面也要传达作者的感情，同时还用以体现作者的个人风格。在写意人物画中，笔墨相互为用，笔中有墨，墨中有笔，一笔落纸，既要状物传神，又要抒情达意，还要显现个人风格，其难易程度远胜于山水花鸟画。被称为行乐图的人物肖像画，一律把人物置于最易展现其气质品格的特定景物中，具有不同于一般肖像画的特点。在色彩使用与诗书画印的结合上 ，人物画具有一般中国画的特色。

书写精美，落款规整。

有些装饰画面的色彩需讲求“素描”关系，即画面 色彩的黑、白、灰层次，这纯以色彩的明度来确定。从字面上看好像单指同类色系，其实还包含邻近和对比色系。也就是要求装饰色彩即有色彩关系，月有素描关系才能取得丰富协调效果。此画画工精美，无任何脏污，神态自然，栩栩如生，具有极高的收藏价值。

英文翻译：Hetian jade, "China's four famous jade" one (its three for Shaanxi Lantian jade, Liaoning xiuyu jade and Henan Dushan jade). The traditional narrow sense refers to the jade produced in Hetian, Xinjiang, which is famous for its "sub-materials". Hetian jade in the broad sense refers to nephrite (true jade). Although hetian jade is named after Xinjiang Hetian, it is not the concept of the region itself, not specifically referring to the jade produced in Xinjiang Hetian region, but the name of a class of products. In China, more than 98% of the tremolite is named hetian jade, which is within the scope of national standards.

When Qin Shi Huang unified China, hetian jade was called "jade of Kunshan" because it was produced in Kunlun Mountain. Later, it was called "Jade of Khotan" because it was located in the land of Khotan. It was not until the ninth year of The Guangxu Emperor of the Qing Dynasty (1883) when hetian Zhili Prefecture was established that it was officially named "Hetian Jade".

The metamorphic rock formed by contact metasomatism between Hetian jade magnesian marble and intermediate-acid magmatic rock contains multiple mineral aggregates such as tremolite, hornblende and actinite. The chemical composition is water-bearing calcium and magnesium silicate, the chemical formula is Ca2(Mg,Fe2+)5[Si8O22](OH)2, the density is 2.95 -- 3.17, and the Hardness is between 6.0 -- 6.5.

The collection is introduced

Chinese name: Hetian jade old jade cicada

English name: Hetian Jade Old Jade Cicada

Category: Jade

Specification: one piece

Appearance: Beautiful

Jade cicada moral

1. Cicada has been a symbol of purity and tenacity since ancient times. Growing up in the dark and humid environment, instead of being defeated, thrive and grow...

2. Make a big splash. As we all know, cicadas grow through many metamorphosis, breaking through the ground after four to five years of gestation...

3. Build a solid foundation and make progress in your career. The head of the jade cicada is very big, representing the brain is flexible, has extraordinary ability, and the leg of the cicada is very advantageous...

4. Cicadas are recurring and continuous creatures, which symbolize the endless generations of future generations.

5. Cicadas sound similar to "wrapped ", wearing emerald cicadas on the waist means rich.

You can see that this Hetian jade decoration is mainly embellished, the overall round, feel good, jade white with a slightly yellow, is the typical characteristics of Hetian jade, waxy appearance, oily, without any cracks, grain, impurities, etc., hetian jade of the top quality, with a very high collection value.

culture

Culture: The delicate texture of oil, the pure white of "color like cut fat", and the luster of "often like fat dyed" conform to the implicit aesthetic concept of Traditional Chinese culture. It is not ostentatious, showy or dazzling. It has attracted the Chinese people for thousands of years with a kind of beauty of "essence and connotation". There is a mysterious charm in the beauty of Hetian jade. Many people are infatuated with it and do not regret when their gold is gone.

Ancient discussions on jade's "five virtues", "nine virtues" and "eleven virtues" have raised the humanistic connotation of jade to a sacred level.

Collection value: since ancient times, "gold has a price and jade is priceless". The hetian jade jade cicada, the color is white with oily luster, some can give slightly yellow in white, whole oil foot feeling, with warm, with the long storage temperature, and the temperature loss is slow, carver is exquisite, hetian jade investment be attention all the time, reported a "crazy stone" hetian jade ten years or one thousand times, staggering, xinjiang now can not find a good local hetian jade, coupled with a government ban on drilling, has formed the situation in which ten nine Tibetan jade, hetian jade prices higher.

Qi baishi (on January 1, 1864 - September 16, 1957), formerly known as pure cheese, word nutrient-laden green, lanting, later renamed huang, faces the life, the white marble, white marble mountain weng, old ping, hungry barbary, borrow mountain songs owner, send the ping old man and lithographic three hundred millionaires in the class, originally from anhui suzhou DangShan, fu was born in changsha, hunan xiangtan (now hunan xiangtan), master of Chinese painting in modern times, the world cultural celebrities.

He worked as a carpenter in his early years and later sold paintings for a living. He settled in Beijing at the age of 57. He is good at painting flowers and birds, insects and fish, landscapes and figures. His ink is vigorous and moist. His colors are bright and vivid. Fish, shrimp, worms and crabs are of great interest. Qi Baishi died in Beijing hospital on September 16, 1957.

Qi Baishi calligraphy, calligraphy and scribe, from the Qin and Han tablets, xingshu Ruzhuo gu Zhuo fun, seal carved their own family, good at writing poetry. He was honorary professor of Central Academy of Fine Arts and chairman of Chinese Artists Association. Representative works have "frog sound ten miles out of mountain spring" "Ink shrimp" and so on. He is the author of "Baishi Poem grass", "Baishi old man's Self-narration" and so on.

The collection is introduced

Qi Baishi rat stole oil shaft

Qi Baishi Rat stole Oil shaft

Specification: one piece

Category: Calligraphy and Painting

Appearance: Beautiful

Legend has it that the rat in Lingshan stole the fragrant flower candle, "treasure" means that this candle is not ordinary, but a treasure; "Worship" should be indicated its characteristics, the ancient candle was made in animal fat, therefore attract rats of stolen food, but the buddhist compassion, not killed, clean self sustaining, natural general with tallow candle, not with the world again lenovo "worship" 2 words, that surely is extracted from myriad balsamine spirit core lipid essence, make the candle. There are thousands of immortal flowers in this candle, which can make the golden nose and white hair mouse, a beast trained for only three hundred years, grow in power, and the myth of the arrogant self-styled "Half-cut Guanyin".

A nursery rhyme goes like this: "Little mice go up to the lampstand, steal oil and eat it, but cannot get down.

Can see the stone of qi baishi word in an irregular round, not the mouth of the correct word, it is late qi baishi, dated, and peak, rats steal oil household folk stories for the people, fun, and red candles with celebrations since ancient times, from the point of view of mice have much luck auspicious implies.

Inscribe contrast show extremely, qi baishi chapter traces the handwriting written clearly, bifeng vigorous, is the so-called, gas saturated, colour ink off, air strikes, and even how, generation works of painting and calligraphy masters is due to the capability is strong, difficult to imitate, as the stone of qi baishi word also is not ellipse, after research is an irregular pentagon, every Angle turning very subtle, difficult to imitate, is the art of qi baishi symbols, and as one of the traditional Chinese painting five greats, qi baishi art association, is the first President, his works auction value will be the breakthrough billion mark, In 1925, the twelve screens of mountains and rivers were sold at a price of 9.3 billion yuan, which set a new high for the transaction of Traditional Chinese painting. His works are the peak of calligraphy and painting collection, and this painting has a very high value for collection.

Huang Zhou (March 23, 1925.3 -- April 23, 1997) was a master of Chinese painting, social activist and collector.

Founder of Yanhuang Art Museum, the first large-scale private art museum in China; Founder of The Academy of Chinese Painting and the National Art museum of China; Huang Zhou Fine Arts Foundation. Take the lead in donating his painting and calligraphy works and ancient cultural relics, painting and calligraphy collection. He has hosted several important exhibitions and academic activities, such as the influential "93 Symposium on Science and Art" and "95 Symposium on Economy and Culture". Huang Zhou creatively integrated sketches into Chinese painting, which opened a new paradigm of figure painting and expanded the artistic language of Chinese painting. Huang Zhou's social activities and artistic practice have made outstanding contributions to Chinese culture and art. A large number of works of art and more than 30 works such as Huang Zhou's Works collection and Huang Zhou's Talk on Art have been handed down.

The collection is introduced

Chinese name: Traditional Chinese painting of the five unique donkey of huang-zhou

Chinese Traditional Chinese painting five unique Huang-Zhou Donkey

Specification: one piece

Category: Calligraphy and Painting

Appearance: Beautiful

Huang Zhou's works of 80 years ago were mainly painted with grinding and characterized by simple and expressive brush strokes. Like a double donkey drawing, with a pen as god, a few strokes, shape and spirit to show. One of the most famous is the donkey, which is well known both inside and outside the circle

Huang Zhou painted countless donkeys in his life. For this, be known as the world famous "painting donkey master". Girl looked at him elegantly works such as "donkey", "the old man herding donkeys map", "double donkey figure", "three donkey figure", "four donkey figure", "five donkey figure", "six donkey figure", "seven donkeys figure", "eight donkey figure", "nine donkey figure", "group of donkey figure"... For it praise, wow good. You see, this donkey: exultation arrows, there is; Face to face those who covet, have; Caper hippie, there is; There are those who travel safely on their burden; Huang Zhou's donkeys, it can be said, a variety of appearance, lifelike, perfect, superb.

It is often said that life is the source of artistic creation. Mr. Huang Zhou is more thorough, he thinks that "life is the only source of artistic creation" -- can this view of art be said to be really formed in the period of sketching in the Huang Pan? Huang Zhou's sketches in huangpan can be said to be an important turning point in his artistic path. He himself once said that two huang Pan sketches were very important to him. At that time, I did not know why I was struggling for socialism, but I hated the fact that there were corrupt officials everywhere. As a painter, I had to reflect the suffering of the common people. After joining the army in 1949, Huang Zhou moved to Xinjiang. He became attached to Xinjiang throughout his life and created a large number of works reflecting the northwest of China. The people of Xinjiang also regarded Huang Zhou as their own painter. Later, he had the opportunity to come to Beijing because of the need of the country and the pleasure of meeting Xu Beihong, Ding Jingwen, Luo Gongliu, Chen Xin, Huang Zhen and others. Later, zhao Wangyun went to Qinchuan with his division to sketch from life in the vast and vast Xinjiang province. The animal I saw most was the donkey, so I was most impressed by the donkey. After joining the army, every household in the garrison raised donkeys. Huang Zhou helped the people to learn how to raise donkeys. During the Cultural Revolution, Huang Was imprisoned in an "ox shed" where he kept his donkeys for three years. Watching the donkey for a long time, herding the donkey, contacting with the donkey, associating with the donkey, making the donkey as a friend and talking with the donkey may be the source of his artistic creation. Mr. Huang Zhou believed that the donkey was the faithful friend of human beings, and he famously said, "The donkey is better than man."

Inscribe is very classic, corresponding chapter of late, is the peak Huang Zhou evolving, our image is called a bunch of grapes, the signature is very difficult to fake, you can see, dated writing is very smooth, flowing, pen, watching the stamp color is very bright, printed by cinnabar mineral pigment, cover is very neat, for Huang Zhou classic.

After Mr Huang Zhou painted donkey became famous, "donkey" price boom in succession, actually Huang Zhou painting characters and other subjects capability are deep, while a friend named to the donkey, echoed the Huang Zhouze. Later, to a donkey can not, certainly more than two, Huang Zhou still responded with a smile. However, more and more people, Huang Zhou could not party, tired and sick, claiming to owe a lot of friends "donkey debt." One is the Huangzong River. 50 s, Huang Zhougang invited by xu beihong from xi 'an to Beijing, ZongJiang is great reward his donkey to do good, hope to get a picture, Huang Zhou readily promised, but went on for 30 years. Later zong Jiang repeatedly to Huang Suo painting, Huang Zhou or due to busy or sick, failed to complete the former Promise. One day, Huang Zhou came across Zong Jiang in Huangshan. Zong Jiang's old story had been repeated for thirty years. Huang Zhou felt very sorry for it. Huang Wei then wrote with a brush, "Twenty years ago, I owed my brother, male and female, one donkey and one donkey each. The mother gave birth to her mother, and her sons and daughters were too numerous to count. I could not pay them back. "Huang Zhou in Huangshan on July 10, 1980" has become a legend in the art world.

Huang Zhou donkey shrimp with qi baishi, xu beihong's horse, its value is high, and prices such as Huang Zhou drawing miss chairman MAO day after work very much, was called a writer who art the most defensive, since Huang Zhou works of a group of high attention by the market, because of the few Huang Zhou works out, caused the negotiable no market situation, money can't buy, want to collect only by fate.

Figure painting: A type of painting. A general term for painting in which the subject is the image of a character. Chinese figure painting, abbreviated as "figure", is a major branch of Chinese painting, which appeared earlier than landscape painting, flower-and-bird painting, etc. Generally divided into Taoist interpretation painting, lady painting, portrait painting, genre painting, historical story painting and so on. The figure painting strives to depict the characters vividly, vividly, both in form and spirit. Its vivid method, often the performance of the character, in the environment, atmosphere, figure and dynamic rendering. Therefore, on the theory of Chinese painting is also called figure painting "evocative". Among the most famous figures in the past dynasties are the LuoShenfu scroll by Gu Kaizhi in the Eastern Jin Dynasty, The Banquet Of Han Xizai by Gu Hongzhong in the Southern Tang Dynasty of the Five Dynasties, The Weimakirui Portrait by Li Gonglin in the Northern Song Dynasty, and The Weiwei Collection By Li Tang in the Southern Song Dynasty.

The collection is introduced

Chinese name: figure painting

English name: Figure painting

Specification: one piece

Category: Calligraphy and Painting

Appearance: Beautiful

Figure painting the most exquisite natural, natural looking, look natural, including clothes and natural prolapse, the close close, the elegant elegant, as the saying goes, painting figure painting can draw the tsao the effect of water level is very high, you can see the figure painting, with black line draw the outline of the outline, try to wipe Cun, make it look have stereo feeling, no target, as if deep in thought.

Chinese figure painters advocate: to write god in form, both form and spirit. Firmly grasp the eyes, gestures, posture and important details that are conducive to the expression of the spirit, emphasizing on the primary and secondary, detailed and slightly, detailed and slightly in the facial gestures that convey emotion, detailed and slightly in the clothes, detailed in the activities of the characters and their look and response and slightly in the description of the environment. The character's activities and environment landscape, lyrical works tend to borrow to create artistic atmosphere foil modal characters, narrative works in take a banner or a long composition, especially good at by environmental scenery or indoor display space, adopt the method of main body character is repeated, the events in the process of time limit ozu, break through the unified the limits of time and space. The brushwork techniques and techniques used in figure painting pay more attention to the basic role of brushwork in color setting, plain painting and small freehand brushwork, thus creating eighteen strokes. On the one hand, the brushwork or depiction is subject to the texture, quantity and expression of the image, on the other hand, it should convey the feelings of the author, and at the same time reflect the personal style of the author. In freehand figure painting, ink and brush are used for each other. Ink is in the pen, ink is in the pen, and one pen is out of the paper. It is not only expressive, but also lyrical and shows personal style, which is far more difficult than landscape paintings of flowers and birds. A portrait of pleasure, as it is called, has the distinction of placing the figure in the particular scene in which his temperament and character are most readily displayed. In the use of color and the combination of poetry, painting and printing, figure painting has the characteristics of general Chinese painting.

Beautifully written and neatly signed.

Some adornment picture face colour needs to be particular about "sketch" relation, namely the black of picture colour, white, gray level, this pure will decide with the lightness of colour. It literally looks like a single reference to the same kind of color, but it also includes adjacent and contrasting colors. That is to ask adornment colour has colorific relation namely, month has sketch relation ability to obtain rich harmonious effect. This painting is exquisitely painted, without any smudges, the expression is natural, lifelike, has the extremely high collection value.